Bombshell (2019) – A Necessary but Uneven Watch

When I sat down to watch Bombshell, I knew it wasn’t going to be an easy film. Not because it’s shocking or disturbing in a graphic way, but because it tackles a real-life story that’s deeply uncomfortable: the sexual harassment scandal at Fox News that brought down powerful CEO Roger Ailes.

An Amazing Cast

Directed by Jay Roach and written by Charles Randolph, Bombshell stars Charlize Theron (executive producer of Mindhunter) as Megyn Kelly, Nicole Kidman as Gretchen Carlson, and Margot Robbie as Kayla Pospisil (a fictional composite character meant to represent the experiences of many women at Fox). John Lithgow (Churchill in The Crown) plays Roger Ailes with unsettling conviction. The cast is stacked with talent, and the performances—especially Theron’s near-transformation into Kelly—are what keep the movie engaging.

That said, I personally found the film kind of boring. It’s not a thriller, it’s not flashy, and it doesn’t always dig as deeply into the toxic workplace culture as I expected. It’s very much a dramatization of events we already know about, and sometimes it feels like it’s moving through the story in a checklist fashion. For me, it wasn’t the most entertaining watch.

Why It Matters

But that doesn’t mean it isn’t important. Bombshell is a cautionary tale—about power, silence, and the cost of speaking out. It highlights how hard it is for women to come forward in hostile environments, and how systemic abuse thrives when it’s ignored.

Even if the movie feels slow at times, its message lands, and the fact that Hollywood put this story on the big screen matters.

Final Thoughts

Bombshell may not have been my kind of movie, and it can drag in places, but it’s undeniably significant. Thanks to its powerhouse cast and the weight of the real events it portrays, it works as both a history lesson and a warning: abuses of power thrive in silence, and speaking up can change everything.

Comments

Can Monsters Love?Fred and Rose West: A British Horror Story

Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history . While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty. The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama. From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing? The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...

All Forms of Art

Search This Blog