All Forms of Art

  I probably would never have watched Anne with an E if it wasn't for my daughter. I didn't think I could like it. I was wrong. Anne with an E is cute, but it is also surprisingly heavy at times. There is friendship, family, hard work, and adventure, but also loneliness, prejudice, bullying, abuse, and the very real limitations placed on children — particularly girls — at the time. It is a coming-of-age story, but it doesn't pretend growing up is always pretty. Anne's Imagination Is More Than Imagination What interested me most about Anne (Amybeth McNulty) is how she constantly escapes into fantasy. At first, this can seem like simply part of her charm. Anne is imaginative, dramatic, endlessly talkative, and can turn almost anything into a story. But once we understand what she has experienced, her imagination feels less like a quirky personality trait and more like a survival mechanism. Fantasy is where Anne has some control. When reality has been cruel and unpre...

  Something about Landman feels strangely unsettling . At first, I thought I was simply watching a show about the oil business: oil fields, workers, explosions, money, criminals, family problems, and a lot of very complicated people, but it is more than that.  It is about a world where danger has become normal. An accident happens. People die. Someone gets injured. There is an explosion. And then... the business has to continue. Because the business always has to continue. The Show Must Go On The first episode does a surprisingly good job of introducing us to the world of Landman without feeling like a lecture about the oil industry. We learn how things work by watching people do their jobs. We see the dangers, the relationships between the workers, the money involved, and the strange mixture of confidence and resignation that seems to define the whole environment. Then the explosion happens. And from that moment on, I couldn't watch anyone working without expecting some...

  Cassandra Calin is a Romanian-born Canadian cartoonist, illustrator, humorist, and graphic novelist whose work has a particular talent for making everyday awkwardness feel funny, honest, and surprisingly relatable. Originally from Romania, Calin immigrated to Canada as a child and later studied graphic design at l'Université du Québec à Montréal (UQAM). Her own experiences of growing up, relationships, insecurities, curly hair, and the small frustrations of everyday life became the inspiration for her semi-autobiographical webcomic series, Cassandra Comics . From Webcomics to Graphic Novels Calin first became known for her online comics, where she turns ordinary experiences into short, humorous observations. Her work often focuses on things that can feel embarrassing or frustrating in everyday life, but become much funnier when we can step back and laugh at ourselves. That combination of humor and honesty eventually led to I Left the House Today! , a collection of her comics....

After loving  The New Girl  and watching my daughter read it at least a dozen times, I hoped  First Crush  would live up to it.  Good news: it did! Cassandra Calin 's second graphic novel about Lia is just as sweet, funny, and relatable as the first one. If anything, I enjoyed this one just as much—perhaps because Lia is now moving into another stage of growing up, and the problems she faces feel so familiar. First Crush follows Lia as she continues adjusting to life in Canada while navigating friendships, her first crush, her relationship with her parents, and all the physical and emotional changes that come with growing up. The story is officially aimed at middle-grade readers, and I think that is one of its greatest strengths. It Feels Like Real Teen Life One of the things I appreciate most about this series is how genuinely young its characters feel. Sometimes books aimed at children or young teenagers make their characters behave like much older teenag...

  I went into Sinners knowing surprisingly little. I knew it had Michael B. Jordan, I knew people were talking about it, and that was pretty much it. So when the vampires showed up, I was genuinely surprised. Sinners doesn't begin like a vampire movie. It begins with music, family, racism, violence, and the dream of freedom. Set in Mississippi in 1932, the film gives us a very clear picture of how racial separation affected everyday life. It isn't presented as some distant historical concept. It is simply part of how the community functions. And then the vampires arrive. It sounds like a ridiculous combination when you put it that way. Somehow, it works. Music as an escape The thing I liked most about Sinners is its relationship with music. Music is an escape for these characters, both physically and metaphorically. It gives them somewhere to go when the world around them offers few choices. And the movie doesn't just tell us that music is powerful. It makes us feel ...

  Alexandria Riley is a Welsh actress and writer whose career has moved comfortably between comedy, crime, drama and science fiction. While she has been working in British television for several years, her international profile grew considerably with her role as Camille Sims in Apple TV+'s Silo . Riley has played a tremendous variety of characters. She has appeared in everything from the dark comedy The End of the F **ing World* to the crime drama The Pembrokeshire Murders , Netflix's Baby Reindeer , and the dystopian world of Silo . Her career shows an actress capable of moving between very different tones without becoming associated with only one type of role. Early Career and Training Riley was born and raised in Newport, Wales. She studied Applied Drama at the University of Wales, Newport before continuing her training at the Royal Welsh College of Music & Drama, where she completed an MA in Acting for Stage, Screen and Radio in 2022. Her early career included work ...