Skip to main content

The Girl on the Train – A Overrated Twisty Ride




This book first caught my eye because of its cover — simple, clever, intriguing. The glowing reviews didn’t hurt either, so I went in with fairly high expectations.

Unreliable Narrator(s)

At the center of the story is a deeply troubled protagonist — an alcoholic woman prone to memory lapses, who shares the narrative with two other women. All three narrators are unreliable in their own way, which adds layers of complexity but also makes it hard to fully trust or connect with them.

A Puzzle or Just a Mess?

Like any good thriller, The Girl on the Train keeps you guessing. The plot twists and turns, occasionally to the point of disorientation. But that’s part of its charm — it pulls you in, even when you’re not quite sure what you’re holding on to.

The characters are all over the place — flawed, messy, sometimes unlikable — but strangely relatable. You may not root for them, but you understand them, which is a testament to the author’s skill.

More Than It Seems, Yet Less Than It Promises

For a while, it felt like nothing much was happening — just fragmented memories and paranoia. And yet, I kept reading. Something about it works, even if it doesn't all quite land.

Final Thoughts

The Girl on the Train is the kind of book that draws you in with mystery but doesn’t always deliver on its emotional or narrative depth. It’s compelling, but uneven; clever, but occasionally overhyped. 

If you enjoy psychological thrillers with flawed characters and unreliable narration, it’s worth the ride — just don’t expect it to leave a lasting impression once the train stops.

You may also want to check out the movie based on this story: The Girl on the Train—movie review.

Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...