Skip to main content

It Follows - A Movie to Keep the Lights On




I really enjoy watching horror movies, even when they’re not great, because you either get a good scare or a good laugh. I just like it. So, based on that facet of myself, I decided to watch this movie with my husband. I thought “Hm, this might not be great, but we’ll at least get a laugh!”.

I didn’t laugh at all. Quite the opposite! 

Jumpy


I’m not sure what I think of It Follows, but it definitely got under my nerves. I jumped a couple of times and was pretty tense for most of it. So, it did a pretty good job for a movie in this genre.

Of course, I found some flaws or weaknesses with it, some more severe than others, such as, for example, the ending to the movie. It was so abrupt, it seemed as if the tape had just run out or something… 

That particular ending has a purpose, though. However, I can’t quite figure out what it might be. Will we perhaps have a second movie? 

Do exactly what you shouldn't


Speaking of the things I don’t really understand… Why are horror movie characters, most of the time, pretty dumb? If someone had told you, “Something is coming for you, to kill you! Don’t stay in any place with just one way out!”, would you close yourself in your bedroom?! Seriously!

More Than Jumps


Psychologically speaking, it was a lot better. The way the main character seems to go crazy in a spiral of fear and despair, moving on, at some point, to a certain apathy, as if it didn’t matter anymore. That was spot on. 

It was the biggest catch of the movie, very realistic, taking you out of breath.

Is it worth it?

The actual question is, how much do you like horror movies? It follows definitely worth your time if you love them.

By the end, you’ll probably feel more comfortable with your lights on… 


If you like horror movies, consider taking a look at Last Night in Soho and Baxter.

Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...