Skip to main content

The Walking Dead



The Walking Dead


I waited a long time to talk about this show because I felt that it wasn’t easy to summarize all of my thoughts on it in a couple of paragraphs. However, today is the day, though I might end up writing about it again in the future since I’m one season behind. Plenty of things might change.

Faithful to the Source


I started watching this show with my husband, who is a fan of the comics on which it was based. The first season was interesting enough to get me to start watching the second one. 

Six episodes weren’t enough to make me know precisely what I thought of it, but it was more of a general feeling of “Oh, I quite enjoyed this, let’s watch a bit more”.

The years passed, and we had season after season. Somewhere along the way, my husband stopped watching it, but I just couldn’t. I always wanted one more episode, one more season. It was so much more than just the mere Humanity vs. Zombies. Actually, over time, zombies become some sort of weird backyard decor. 

The show is about people, about humanity itself


The dead rising and starting to eat the living was a very good excuse for humans to reveal their true colors —the darker side of themselves. This show can often tell us a great deal about ourselves and the human race in general.

The consecutive seasons offer some perspective. You follow Rick’s (you can also watch Andrew Lincoln in an episode of Guillermo del Toro's Cabinet of Curiosities) group since the beginning, so they’re obviously the good guys. But as soon as you start observing the other groups they come across, it’s impossible not to question yourself about a few things. Are they actually that different?

There are no innocents.


I remember one season when they took some prisoners from another group who had attacked them. And the arguing between characters made us think, “Wait, who actually started all of this after all?” That pretty much sums up how the world works.

Rick’s group is, after all, as bad as most others, and the other people they meet are just as good as they are (most of them at least). We just tend to be biased and have a greater affinity with Rick and his group of survivors, so we’ll understand their point of view more than others, usually ending up rooting for them, regardless of whether they’re actually doing the right thing. 

You're With Them


We´re talking about a more profound sense of belonging, and the outsiders are mere enemies, obstacles, and threats to their survival, even though we just don’t really know them. 

This is the end of the world after all. Who can really risk doing ‘the right thing’ anymore? Does that even matter anymore?

If you start watching the show expecting just another shallow zombie show, you’ll probably have quite a few surprises in store.


If you like zombie apocalypse themes, in all sorts of ways, consider checking out Rezort and Quarantine 2: Terminal

Comments

Popular posts from this blog

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...