The Alienist - Not There Yet

I had mixed feelings about The Alienist. It’s a good one, can’t really deny that, but, for me, it’s also a bit too slow.

The Interest in Mind

The first few episodes were somehow boring, and I merely didn’t stop watching because I was too curious about who the killer was.

A bit like The Mindhunter, the production team focuses mainly on creating a high level of psychological intensity, but in The Alienist, I felt it lacked something.

I’m a psychologist, I love criminal psychology, and even I found myself bored at some points. They focused mostly on the occult side of the mind, showing the alienist far outside practical reality. Maybe it was like that in the 19th century, but it makes the show too slow, which might tire you.

Slowly Getting Into you

After a couple of episodes, I finally started to feel immersed in the 19th-century atmosphere.

As the events unfolded, and the empathy with some of the characters grew, I could finally start feeling like a part of the investigation group, turning the show way more interesting as a result.

Slow Character Development

The characters are definitely good; however, they only gain enough depth (at least in a meaningful way) after a few episodes.

We need to connect with the characters faster, so we care about them.

Last Thoughts

Generally speaking, the show can make us curious. The atmosphere, the characters, and the story are good, so we want to know more. However, it did struggle a bit to make me attached to it all.

Comments

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines. The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing. On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses? Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

All Forms of Art

Search This Blog