Skip to main content

Dirty John: Why the Show Didn’t Hit the Mark


Dirty John (fiction show)


Domestic violence in all its forms is kind of the subject ‘of the hour’ in my country due to a series of unbelievable court decisions regarding it and cases involving it. Maybe because of that, I had some sort of expectations about this show that weren’t totally fulfilled by what it’s really about.

It Didn't Convince Me


From what I saw, the show wasn’t very entertaining because it was too slow. Debra (Connie Britton - You can also watch her at 911 and Zero Day) was a tedious, monotonous character, and John - Eric Bana (Untamed) - wasn’t very convincing as a villain. 

As I hadn’t heard of this particular case before, it was only by the end of the first episode that I knew it was based on real facts and people, but that just made the whole thing seem… even more shallow.

On Purpose?


After a couple of episodes, however, I realized that some of that vibe, of that feeling it was evoking, how fake it all seemed, might all be on purpose. T

His apparent ‘not-so-great’ ability of John for manipulation was actually a genius master scheme to show us what a truly manipulative person should look like and how even the viewer who has a pretty good idea that John was “bad news” can be surprised by how deceiving he truly is. 

Reality VS. Fiction


After watching this interpretation of this fiction show, I was advised to watch the documentary, and I really liked it. It’s so sad and almost scary that such a person actually existed, but somehow, after that, the whole show started to make more sense for me.

I don’t think that it’s a great piece of entertainment, as it stands, but it is, undoubtedly, interesting to watch, especially if you pair it with the full documentary on John as well.

Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

  How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama.  From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing?  The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...