Skip to main content

Dirty John: Why the Show Didn’t Hit the Mark


Dirty John (fiction show)


Domestic violence in all its forms is kind of the subject ‘of the hour’ in my country due to a series of unbelievable court decisions regarding it and cases involving it. Maybe because of that, I had some sort of expectations about this show that weren’t totally fulfilled by what it’s really about.

It Didn't Convince Me


From what I saw, the show wasn’t very entertaining because it was too slow. Debra (Connie Britton - You can also watch her at 911 and Zero Day) was a tedious, monotonous character, and John - Eric Bana (Untamed) - wasn’t very convincing as a villain. 

As I hadn’t heard of this particular case before, it was only by the end of the first episode that I knew it was based on real facts and people, but that just made the whole thing seem… even more shallow.

On Purpose?


After a couple of episodes, however, I realized that some of that vibe, of that feeling it was evoking, how fake it all seemed, might all be on purpose. T

His apparent ‘not-so-great’ ability of John for manipulation was actually a genius master scheme to show us what a truly manipulative person should look like and how even the viewer who has a pretty good idea that John was “bad news” can be surprised by how deceiving he truly is. 

Reality VS. Fiction


After watching this interpretation of this fiction show, I was advised to watch the documentary, and I really liked it. It’s so sad and almost scary that such a person actually existed, but somehow, after that, the whole show started to make more sense for me.

I don’t think that it’s a great piece of entertainment, as it stands, but it is, undoubtedly, interesting to watch, especially if you pair it with the full documentary on John as well.

Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...