Skip to main content

Atypical S3: Growing Up, Letting Go, and Finding Yourself


Atypical Season 3


From the very first episode, I found myself very fond of the characters in this show

Autism is represented in a simple, general way. Nonetheless, with deep, meaningful relationships and without ignoring that, people on the spectrum have more in their lives than just a diagnosis. 

[Spoilers ahead]

Sam is a grown-up - what’s Elsa’s role now?


Sam (Keir Gilchrist) has come of age, and it is time to go to college. A different environment, with different people and, most importantly, diverse and, perhaps, bigger challenges.

Emancipation is hard, but he is ready. Elsa (Jennifer Jason Leigh), however… Sam’s mother is in a hard place about her marriage and her life. Sam doesn’t need her so much anymore, and she starts to feel lost.

It’s quite common for parents, especially stay-at-home mothers, to start questioning the meaning of their lives and even the value of their efforts as soon as the kids stop being so dependent. It’s not difficult to imagine how complicated it can be for a mother who has lived her life to help a child who doesn’t fit. She did everything for everybody except for herself.

Friendships are the most complicated relationships


As you grow up, you also realize that keeping a friendship can be a very delicate task. Your life is changing, and your friends' as well. How to deal with that?

In this season, Sam faces a hard breakup.  His friendship with Zahid (Nik Dodani), which had been, until this point, a symbol of stability and help to Sam, suddenly becomes a source of frustration and uncertainty.

As Sam finds out that Zahid’s new girlfriend stole something from the shop where they both work, he faces a terrible dilemma. Should he preserve their friendship by saying nothing? Or should he do what he considers to be the right thing? It is difficult for anyone, but even more so for someone on the spectrum. 

Sam needs life to be black or white. He has no idea how to deal with the different shades of gray. His final decision breaks the probably strongest bond he was able to build outside his family.  

Wider family dynamic 


The show was able to subtly recreate with the audience the same thing that was happening to Elsa. 

Sam is no longer so dependent, so his mother starts looking at the world around her. At this point, the show starts looking around as well, and the viewer with it. 

In this season, Casey (Jack Haven) has a little more screen time, enriching the story even more. She is struggling with her sexuality, and it was good to see how Sam can be so understanding and supportive towards Casey when she needs to.

At the same time, their parents also struggle to know what to do about their lives and marriage. Sam seems a bit detached from that problem, as if he had no idea or didn’t care about what was going on.

The problems, however, don’t end with his nuclear family. His girlfriend is also having a hard time adapting to college life. It can be seen as a reminder that even so-called normal people can have trouble adapting to change, and it may offer some help and motivation to those on the spectrum. 

A Heart Warming show


I think I’m biased for many reasons I won't explore in this review, but I really like this show.

It has a couple of things that I would make differently, sure. For example, I think it’s too optimistic that the vast majority of people who cross Sam’s life simply accept his eccentricities. The world I know is, unfortunately, very different.

Another situation I can’t fully understand is that they keep showing Amy Okuda’s (How to Get Away with Murder) character, Sam's ex-therapist, even though she no longer contributes to the story.

As a whole, nonetheless, Atypical is a very good show, and I’m eagerly awaiting the next season.

Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...