Skip to main content

Review: Freud - From the weird to absurd in 8 episodes




Freud is a bizarre Austrian-German show about the beginning of Sigmund Freud's career. It puts a young Sigmund Freud in the middle of the social-political conspiracy. Were you expecting a biography? Sorry to disappoint you.

The main idea is, no doubt, weird. I'm not exactly sure about what I saw there. Only in the last couple of episodes, you can make some sense of a few things. FEW.

Entrance


I could not ignore the entrance of the show as it is one of the best things about it. It is very curious. If you pay attention, Freud's bust changes at each episode. Each change represents the different topics or issues approached — the integration and disintegration of the self, so crucial in Freud's theory.  

Mysticism


Everything seems fine until the story begins. It is not about psychology - not as we understand it - but rather about mysticism. It is focused on local folklore, mystical stories, and supernatural beings. 

The main plot is around the Hungarian couple's plans. The Countess wants revenge. We understand that. Her means are the problem. Were all those people hypnotized? 

It is difficult to ignore the lack of realism when the show claims to be talking about a real person. Yet, if you can ignore that, you may make some sense of what you're watching. All those people are tools in their hands. For what? We only know in the last episode, and while it is mysterious for some time, it becomes annoying.

It wasn't all terrible, though. The highest point of the show happens in episode 7 - a trip to the unconscious. It is the closed you get to Freud's concept. A real one. The analogy of the dark house with a few (small) points with light is one of my favorites.  

Hypnosis


Hypnosis is the central topic of the show, but you probably won't see that right away. It's all about its power.

I found no reference to the main story of the Hungarians, so I must believe it was made up for the show. That makes sense if you focus on some details. How can Fleur be hypnotized so easily? And all the others? What does the Countess do to them? Why don't they wake up? Why is her hypnosis so constant? Scientifically, it doesn't make any sense!

Philosophically though, the show raises a question. How far can the manipulation of the unconscious take you? How dangerous would it be?

Trauma


Trauma seems to be the center of all the patients' problems. 

I found the Inspector Kiss a quite interesting character. He has PTSD and a problem with his hand. The hand he used to kill enemy soldiers. Unarmed men. Surrendered men. He obeyed an order with which he didn't agree, and his hand represents his regrets.

Then, you have Clara. She seems to have been tortured and can't speak. What exactly happened to her?  Her mom takes her out of the hospital (which makes her the most intelligent character at the point) and then… Nothing. We would like to know what happened next. Would she recover? Would she talk?

Artistic design Vs. Credibility


Freud starts weird and then becomes absurd. Many parts had no sense at all. Are they supposed to represent some sort of hallucinations due to his abuse of cocaine? Taltos was a metaphor for the monsters hiding in our unconscious mind? We are never sure.

And the end? What's that supposed to mean? Does Taltos live in the Inspector? Is he still hypnotized? Does he really have a monster inside him? It's all quite ambiguous. Very artistic, but with doubtful interest. 

The Power of hypnosis


The show ends up with Freud burning the book he wrote. A book that, as far as I know, never existed, or perhaps it did, and it was forbidden, like in the show. 

"Your time will come, one way, or another." Kiss says to him, and he is right. Freud leaves the hospital and starts working on what he truly believes. 

Freud is a curious show. Not necessarily interesting. Especially if you are looking for something else, such as a bio, the name might give you that idea. It's the wrong idea.


Comments

Popular posts from this blog

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Wednesday 2 (Part 1) – A Gorgeously Dark Return to Nevermore

Wednesday Season 2 lands with all the gothic flair that made the original binge-worthy —this time spotlighting even richer family dynamics and chilling new mysteries at Nevermore Academy. The first four episodes dropped on Netflix August 6, 2025 , with fans grudgingly waiting until September 3 for Part 2 . Why It’s Still a Blast Jenna Ortega continues to shine as a morose sleuth grappling with her supernatural talents and unwanted hero status. Her sharp delivery and deadpan wit are as compelling as ever. Family ties get deeper attention —Pugsley’s arrival at school, Morticia’s campus involvement (with Catherine Zeta-Jones in flamboyant form), and intriguing new faces like Steve Buscemi as the oddball new principal elevate the ensemble. Atmosphere and aesthetic remain rich and inventive. Tim Burton’s return as director (including a delightfully eerie animated sequence) and the inclusion of ominous crows and haunting visuals continue to delight. Mystery hooks abound...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...