Skip to main content

Elite - season 4: review

 


Alert: the following text contains spoilers!


Elite presented us a fourth season as addictive as always (check reviews for previous seasons here and here). The way each season is built, making you know what happened, and looking back to find out how you got that result is a formula that works year after year.

After the last season, where most characters graduated, things changed a bit in Las Encinas. I loved the new characters and the dynamic they brought to the school.

Yet, even though the formula works (after all, we’re still watching), after four seasons, it starts to get a bit too much “bad luck”, don’t you think? More tragedy? More death? In a high school? What was an interesting crime show is becoming repetitive and unrealistic.

New protagonists

We still follow the older students’ lives in this season, but the new characters quickly assume themselves as protagonists. I would say Mencía and her accidental entrance into the world of prostitution is the great protagonist of the season.

I hope that the Prince has more development next season because it could be very interesting. The show has plenty to win in exploring this character’s story. 

Concerning the characters we already know, the best one was Cayetana. She evolved significantly, and I liked that. The others not so much. They all became very linear (sometimes plain) characters. They deserved more development. Speaking of which, Samuel seems to be the police’s favorite target. How many times can a regular teen have been interrogated by the police at the age of 17? 

Teenager’s sex life

The way teens are portrayed in most shows and movies always upset me. We all know that most teens do not have those lives, right? And by saying “most” I’m being nice…

In Las Encinas, they have a fantastic sex life that many adults don’t. That’s great, but you are giving unrealistic expectations to all teenagers watching the show. Some of them will feel terrible because they are not even close to that pattern. 

There was a focus on LGBT couples this season, and it raised a question. In Spain, gay men (yes, especially men) can kiss and hold hands anywhere in peace? People don’t even frown? If so, it is the greatest country in the world, but as a neighbor, I doubt it. Yet, this was something I truly liked. The show is trying to make people understand that a gay relationship is as natural as any other by simply acting naturally. I loved that approach. 

There is always death

Ary is alive, so this season is, indeed, different. Yet, there is always a death in Elite… I can’t say I didn’t like this season, I liked it, but it is weaker than the previous ones. 

We already know that in the next season, someone will find Armando’s body. Let’s see what they do with that and how the story evolves (or not).

Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...