The White Queen - women's perspective on a men’s world

The White Queen is a historical British show about the war between the Lancaster and the York families for the throne of England. The story is told from the women's point of view.

It is an interesting show, and I would advise you not to give up on the first episode. It isn’t very exciting, but it aims to put us into the story, introduce the characters, and understand the political atmosphere of the time. The show gets better with each episode.

Witchcraft

The white queen is a bit dark, isn’t she?

She and her mother know some spells and magic arts which they use with few concerns on various occasions. Unfortunately, the fact seems to be known by most characters, creating even more distrust.

The result is some paranoia on both sides and the consequent problems that come with it.

Ruling time

Being a king was a strange occupation in these times. And I wonder: did they have time to rule?

In this show, all you see the king involved in is war. He goes to war. He comes back from war. When there is no war, he is thinking about war. When did they actually rule the country?

Mistrust kills more than weapons

The mistrust and intrigue are poison. They were all scared of each other and machinating ways to protect themselves from things that did not happen yet. Sometimes, they wouldn’t happen if the enemy hadn’t seen them preparing. It should be horrible to live like that.

They don’t trust anyone - with good reason -they do not support each other, even inside families, and they always think the worst of everyone around them.

This atmosphere creates more problems than the ones that actually exist. Who wins? The plotters, the ones who conspire.

Intense drama

The White Queen is quite an intense and entertaining show. It is also quite informative too. If you still romanticize the middle ages… then you must watch this.

Comments

The Handmaid’s Tale – From Brilliant to Frustrating

When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Gangsta Granny – Hilarious and Surprisingly Moving

I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...

Grief in the Shadows: Why 'The Silencing' Stands Out

A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...

All Forms of Art

Search This Blog