Skip to main content

It's a Sin - First came the Freedom, then the Ignorance, and ultimately, the Prejudice

 


It's a Sin is a show focusing on the gay community in the 80s, trying to survive the AIDS outbreak while fighting prejudice, intolerance, and abandonment.

Recently, more and more shows are timed in the 80s. It's been 4 decades, and it starts to feel vintage. Many, who, like me, were born in the 80s, were too young to remember anything, but still, feel some connection to the time and get curious.

If you decide to watch It's a Sin out of curiosity, then you should ensure that you're ready for it.

How did it all start?

It's tempting to look back and accuse people of ignorance, but this show it's an interesting journey. It goes step by step, creating a comprehensive approach to what happened and why.

The four main characters are from different places and backgrounds. That is the first clue to the fact that it didn't matter where you were from, how smart you were, or any other thing. Nothing would protect you. No one knew what it was.

Freedom

Most characters came to London from small towns. There, they found their identity as gay men and as people. They experienced a kind of freedom they had never had before. Young boys, being themselves for the first time. Are you asking them for restraint?

For once, they were happy. They felt like they belonged. It is a good, sometimes overwhelming feeling that you don't want to let go.

Ignorance

One of the best dialogues in the show is when Richie explains to his friends how absurd AIDS is from his point of view. And having the information they had, can we blame him?

Richie mentioned different theories and wild ideas about it at the time. I'd like to highlight one: a virus with no brain that would specifically target gay men. This was the information at the time (and other non-sensical ideas). How do you expect that something that doesn't make sense would be feared?

In a world full of prejudice and hate, such a bizarre description of an illness would always seem like someone is simply trying to hurt a minority. And that's the next point.

Prejudice and Hate

I'm not even focusing on how gay men and other LGBT community members were treated in general. Instead, I would rather focus on those with the disease, a scary thing no one really knew.

The most heartbreaking scenes are the loneliness in those hospital wards. The number of men that were put there to die… alone. Colin was even incarcerated in a room because he was considered a danger to public health. As soon as you'd get sick, you'd no longer seem to be considered a human being, and you definitely had no rights.

On Point

It's a sin is an excellent and educative show about the journey the gay community endured during a decade when the world was falling apart. The show is able to create the atmosphere and make you feel the crawling, invisible enemy is getting closer… slowly and silently.

It's a heartbreaking story, unfiltered, about a tough time. It will make you smile sometimes; other times, it will make you furious. Most importantly, understand how so many wrong things might have happened.

Great cast, a great story, and is very well designed. It is definitely worth your time. 

Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...