Bridgerton Season 3 - How to make a secondary character the protagonist and succeed

The third season of Bridgerton has received mixed reviews from critics and fans. Some are not as happy as they were with the first two seasons, while others were positively surprised.

I belong to the second group. I thought the second season was just "one more" and that the show would probably get too repetitive. Yet, the first four episodes of the new season have revived some of my interest.

Great Performance from Nicola Coughlan

Nicola Coughlan, our sweet Penelope Featherington, gave us a great performance. A former secondary character, Nicola brought depth and charm to the role. She made her transition from a supporting role to the main protagonist quite successful.

Now, she and Colin finally have the place they deserve—the central romance of the story. Instead of bringing a new character to the spotlight, the writers gave more screen time to these two well-known (and beloved) characters. Sure, it might not have the steamy excitement of previous seasons, but the relationship's development is both sweet and strong.

Lady Whistledown

The gossip column of Lady Whistledown is a central piece of the story, yet it is becoming less important. In fact, it feels a bit repetitive and forced on viewers without any need.

It feels like a side story no one really cares about, but the writers can't let go. I don't say to remove it from the story, but it needs changes to keep its importance and interest.

A quiet season

While the third season of Bridgerton may not capture the same level of sensational drama as the first two seasons, it still offers a compelling and heartfelt romance, particularly for fans of Penelope and Colin's characters. The performances, especially by Nicola Coughlan, stand out, even if the plot feels a bit less vibrant and more familiar.

Comments

Young Sheldon – A Heartfelt and Hilarious Journey

Young Sheldon is a delightful surprise, blending humor, heart, and a touch of nostalgia. As a prequel to The Big Bang Theory , the show offers insight into the childhood of Sheldon Cooper, one of the most iconic characters in modern TV. A Show That Grows Beyond Sheldon While you may start watching due to curiosity about Sheldon's early years, it soon becomes clear that this is not just about his childhood. The show includes an incredible variety of characters with their own charm and depth. Mary (Sheldon's religious yet compassionate mother), George (his often misunderstood father), and his siblings, Missy and Georgie, are all given their own moments to shine. The cast and their chemistry make this show stand out. You start to care about each character's struggles and triumphs. This show quickly stands on its own as a heartfelt, family-driven sitcom. Especially in its last seasons, the show becomes a touching portrayal of small-town life, family dynamics, and persona...

Emily in Paris 3: The Good, the Bad, and the Unrealistic

The third season of Emily in Paris got a lot of hate and love among the viewers. People can’t decide if it was the best season or the worst of all. And I understand why. We start the season with Emily’s life in perfect chaos, and she doesn’t seem to know what she wants. She never does… Is this good for the plot? Maybe. Is this annoying? Sometimes. So… why can’t we stop watching it? Are you feeling frustrated? Me too. She doesn’t know what she wants. She can’t make a decision, not in her love life, not in her job… And it is not because she wants it all. She is not mature enough to say no and own her decision and its consequences. Emily comes across as a spoiled little girl. The problem is that she is the main character, yet, Mindy starts to feel way more interesting than her. Also, any other character on the show is funnier than Emily, namely her co-workers, who apparently are very bad at their jobs and need her to save them with every single client… How did they keep the company...

Gender, Power, and Cigarettes: Why 'Mad Men' Still Resonates

Mad Men is a masterpiece of television that blends sharp storytelling with striking period detail, offering a reflective glimpse into the 1960s. The series follows Don Draper and the high-stakes world of Madison Avenue advertising, all while painting a vivid picture of the era's societal norms, especially the rampant sexism and rigid gender roles. It's both mesmerizing and infuriating, particularly in its honest depiction of how women were treated. Strong Emotions The show’s brilliance lies in its ability to evoke strong emotions—its subtlety, exceptional writing, and rich characters draw you into a world that feels both foreign and disturbingly recent. The meticulously crafted period aesthetics are complemented by historical undercurrents, from civil rights to cultural shifts, which remain integral yet never overshadow the deeply personal dramas of the characters. Wait For the Impact Mad Men doesn’t rely on flashy plot twists; instead, it uses nuanced storyte...

All Forms of Art

Search This Blog