Skip to main content

Book Review: My Heart Hemmed In by Marie NDiaye

 

my heart hemmed in


When the Ordinary World Turns Hostile


Marie NDiaye’s My Heart Hemmed In begins like a domestic drama and slowly turns into a psychological nightmare. 

Nadia, a teacher in Bordeaux, suddenly finds herself shunned by everyone — neighbors, coworkers, even her husband. She has no idea why, and neither do we.

It’s a setup that feels almost Kafkaesque — think The Trial or The Metamorphosis — where the real horror isn’t monsters or ghosts, but society itself turning inexplicably against you.

A Hall of Mirrors


Like in Elena Ferrante’s The Days of Abandonment, NDiaye dives deep into a woman’s unraveling mind, showing how fear distorts perception until reality itself becomes unreliable. Nadia’s paranoia grows, her body reacts in strange ways, and the city around her feels charged with invisible hostility.

Reading it feels like being caught between a dream and a panic attack — much like Kazuo Ishiguro’s The Unconsoled, where logic keeps slipping just out of reach.

Language That Tightens Like a Knot


NDiaye’s prose (translated beautifully by Jordan Stump) is lyrical, looping, and claustrophobic. The repetition and rhythm pull you into Nadia’s fear so completely that you almost forget what normal feels like.

It’s Toni Morrison’s Beloved without ghosts — a haunting that happens entirely inside one woman’s mind.

The Fear Beneath It All


Underneath the surrealism lies a sharp social critique. Nadia and her husband are subtly marked as “other” — outsiders in a place that pretends to be welcoming. It recalls the quiet tension of Albert Camus’ The Stranger, where emotionless observation hides deep alienation.

NDiaye never explains the hostility, and that’s what makes it powerful: fear, prejudice, and shame don’t always have reasons — they just exist, shaping lives silently.

Final Thoughts


My Heart Hemmed In isn’t an easy read, but it’s an unforgettable one. It mixes the existential dread of Kafka with the emotional intensity of Ferrante and the social unease of Morrison. You don’t just read it — you live inside its anxiety.



⭐️⭐️⭐️⭐️½ – A surreal, poetic exploration of fear and belonging, as strange and intimate as waking up in someone else’s dream.


Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

  How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama.  From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing?  The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...