In
The Last Fix, Dahl creates a psychological thriller full of
secrets and half-told stories. The plot is complex, and even though it takes too long to really get into the story, it is engaging.
Don't trust the First Paragraphs
Although
this was a good book, it didn't satisfy me. Why?
Well, first of all, when I started the book, I felt it would be
full of all sorts of cliches, and although they're dismissed at the
end, it kept me wary during the rest of the reading.
It is good, but it has weaknesses
Like any good crime novel, there are many twists, but they can sometimes be tiring. Although we may be surprised by who the real killer is, I felt the end was a little cold and lacked emotion.
Along the way, it was almost impossible to determine who the murderer was, and in the end, that person's
motive was the weakest part of the plot from my point of view.
In one part of the story, we have information concerning another point of view (the killers'), but it's so cloudy that it doesn't help the narrative.
Frolich
and Gunnarstranda are an excellent duo that keeps us interested, but maybe because of the great expectations created by the reviews I had previously read, they were sort of a letdown.
Strong Atmosphere, Weak Resolution
Despite its flaws, The Last Fix remains an intriguing read for fans of Nordic noir. Dahl’s writing is atmospheric, and his ability to weave a web of deception keeps the reader engaged.
While the twists sometimes feel exhausting and the resolution lacks emotional depth, the journey itself is compelling.
If you enjoy slow-burning psychological thrillers with complex characters, this book is worth a try—just be prepared for a few frustrations along the way.
If you like Scandinavian crime thrillers, consider looking at Stieg Larsson's work.
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