What/if - What the hell were they thinking?

This is one of those situations where I’m not sure what to say in a review of this show. The show is… not good. Sure, Renée Zellweger (recently in Only murders in the Building) helps (a lot), but she isn’t enough to pull the show through its mediocrity. When she isn’t on the screen, we aren’t left with much at all, unfortunately.

The Good is also Bad

It’s a lot of fun to see her trying to impersonate a femme fatale, with zero ethics or moral principles, but it’s a little too stereotyped for my personal taste. Yet, it’s definitely the best part of the entire show.

That alone speaks volumes.

Shallow

The story is primarily about secrets, and all the characters are, in some way, emotionally broken. Some of them don’t even make a whole lot of sense, and while watching, you’re commonly asking yourself why they’re even here, to begin with. It looks like they don’t belong.

They are connected by bonds of blood or friendship, but everything seems a bit too shallow. I felt as though these were a bunch of random stories that someone desperately tried to connect.

We Wanted to Be Bad...

I read some critics saying that it’s supposed to be bad, and the What/if team knows exactly what they’re doing. As a matter of fact, there are so many absurdities that I’m kind of tempted to believe that theory.

Everything in this show is just too much. Too many secrets, too much drama, too many plot twists, most of them predictable, and all around too much nonsense. However, you probably won’t stop watching it to see what comes out of it all.

That’s the tricky part that you don’t see coming… In the end, it’s so bad that it’s almost good.

Comments

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines. The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing. On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses? Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

All Forms of Art

Search This Blog