The Assassination of Gianni Versace: American Crime Story

The Assassination of Gianni Versace: American Crime Story - Review

I hadn’t watched the first season of American Crime Story. Never felt very interested in the show, and the only reason I watched this most recent season was that it was about Versace.

I was very intrigued by the show because I remember the case, which was thoroughly covered by the media at the time. So I decided I’d give the show a try.

Who's the True Protagonist?

I didn’t know a lot about Versace’s life. Almost nothing, really, so I can’t truly criticize the choices by the production when it came to the story. However, I have a problem with the title.

It may have been better not to call it “the assassination of Versace”, but rather “Versace’s killer” as the protagonist is not the designer but rather his killer, and this wasn’t exactly what most people seemed to expect going in. This was also the case for me, and I must admit I got a bit disappointed.

Slow Pace

The show is good enough to make you curious and keep you watching it, but it isn’t all that exciting. Even so, if you can set aside the shortcomings and focus on Andrew (Darren Criss), you’ll see its quality.

The character is deep and well-constructed. His personality and actions can give you chills down your spine at times.

What's Left Behind

The end was both cathartic and terribly sad, especially when you see the way Gianni’s long-time boyfriend, Antonio D'Amico, is treated by Versace’s family, and even other people around him.

It kind of shows us a picture of the ‘90s regarding homosexuality and the way society looked at these men and women.

Good, But Not That Entertaining

In the end, I believe this show is an interesting, near-documentary, and certainly one to watch, but probably not as entertaining as you might expect; it focuses more on great character development.

Comments

Can Monsters Love?Fred and Rose West: A British Horror Story

Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history . While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty. The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama. From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing? The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...

All Forms of Art

Search This Blog