Skip to main content

Serpentine




The available time to read is, unfortunately, very less than I would like to. Yet, I try to read every day, even if I can only read a single page at a time. This time, I chose something in my first language, written by a renowned author.  

Fancy writing, poor content


I’m not the biggest fan of Portuguese literature. You may find it odd. It would be expected that we would quickly identify with our country, culture, and language. Unfortunately, what I see in Portuguese literature, most of the time, it’s a whole lot of beautiful words and fancy sentences, with no significant ability to make us dream. 

Beautifully arranged sentences and highly educated words seem more important than the story itself. It lacks the fantastic ability to drive us to different worlds, of making us live what we are reading, or feel what the characters are feeling. Despite that, I try to keep updated with what’s new or considered a ‘must to read.’

I must say, however, and with great joy, that the new generation of authors is slowly trying to invert this tendency. But the path is hard, and it takes time.


Technique over emotion


Back to Serpentine, this book was pretty much what I described before as the generality of Portuguese literature, without the fancy language. I must confess: I’m not sure of what I can say about it. I didn’t love it, and I don’t intend to reread it, but there was something that kept me reading until the very last page.

It is not my kind of book or story. Said so, I tried to analyze it and understand why I didn’t just stop reading it. My conclusion: it’s an excellent author. His name is Mário Zambujal. He’s famous as a writer and as a journalist, and his writing qualities justify all his fame.

Serpentine has a good rhythm, many parts of dialogue with a sense of humor that will at least make you smile, and his genius shows in the way he writes each scene. They are good, no matter if you are liking or not, every single scene is good. That’s probably the reason why we keep turning pages, while we say to ourselves, “just one more.”

Keep trying


It’s definitely essential, and I’m speaking mostly to Portuguese people now, that we give some opportunities to Portuguese authors. Allow yourself to be surprised. Our language is beautiful, and we have great talent amongst us that is hide due to the difficulties of promotion.

Especially if you are a writer, no matter the language you use in your work, you always have something to learn from every single author. Read, enjoy, analyze, and then follow your own path. 






Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

  How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama.  From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing?  The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...