Skip to main content

Show Review: Emily in Paris

 


It took me a long time to give Emily in Paris a shot because I thought it would be a silly, shallow comedy about some sort of influencer. Well, it is a silly, shallow comedy about some sort of influencer, but to be honest, I liked it. 

Emily is a young talent in a marketing career and has the opportunity of her life: working in Paris for a year! And since her boyfriend is an idiot, she can try the full experience of being a single woman in the city of love. 

Unfortunately, she is not as good at managing her personal life as she is at work. In fact, she is frankly terrible at making decisions outside work.

Cultural Differences

Everyone who has been in a foreign country knows that sometimes we get ourselves into awkward situations due to cultural differences. So watching someone else go through the same is quite funny.

I must admit that seeing an American trying to speak French is hilarious. Of course, I’m not French (and French people who hear me trying to speak French could have a slight heart attack), but it was funny even for me.

Universal Problems

Life is complicated in any language, and Emily will find the same problems she would in any part of the world. Her issues are pretty much the same she could have had at home. Only with some linguistic barriers complicating a little more. 

Love triangles, the will to please everyone, often ending up with you annoying everyone, or dealing with the occasional diva. Pretty basic, right?

Now, this is not exactly a problem, nor a cultural difference, but I have to mention those outfits she wears. They are pretty funny too. 

Paris?

This second season ends with Emily facing a tough decision (and we already know that she is not very good at making them). She must decide if she stays in France to an uncertain future or if she goes back to Chicago for a promotion. We don’t have an answer, but I think she is staying. 

This show seems to have been on the nerves of many people. However, I had a lot of fun watching, and I genuinely don’t understand all the hate about it. I think it can be quite innovative. You can compare it with many shows. It has similarities with many shows. Yet, no matter the one you choose to compare Emily in Paris with, in the end, you’ll always conclude that it has some similarities with it, but it is also different. For me, that’s the best compliment a show can have. 

I’m hoping for a third season.

Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

  How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama.  From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing?  The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...