Skip to main content

Pistol - less than music

 


Pistol is a show about the British punk-rock band Sex Pistols. And, despite many flaws, I binge-watched it.

I am not a fan of the band, but the whole production is quite interesting and, more importantly, makes you feel something.  

Frenetic pace

The series shows us the ascension and fall at a fast pace. Sometimes you feel like you lost something because 10 minutes ago, it was all so different. 

Strangely enough, this is a good and a bad thing. Artistically speaking, it is the perfect metaphor for what happened to them. Their story is exactly like that: one day, they were Gods, and the next day, they ended. Yet, it also has a bad side: the fact that everything happens so fast, the story tends to lose some depth. 

It’s a Sad Story

You can feel annoyed with their behavior, or you can hate them. It doesn't really matter. But, if you pay attention, the Sex Pistols' story is a very sad one. You have it all: abusive stepdads, crazy girlfriends (and mothers) who lead them into drugs… They were outcasts, looking for a place where they could fit in.

Of course, you must remember that all biopics are trying to protect the protagonists - to humanize them. This one wasn't different. They're victims of a bad society… does that justify some attitudes? I don't think so, but you can judge by yourself.  

Music?

This is the story of a band, but the music was not the protagonist. The show is more about their struggles and personal drama than their music, but it seems adequate. They were not about music, were they?

In the end, could Pistol be better? Yes, but it is still a good show, and I recommend it. 

Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...