Skip to main content

Review - Turn of the Tide (Original Title: Rabo de Peixe)

 


Turn of the Tide is the new Netflix Portuguese show, and people seem to like it. It is in the global top 10 non-English speaking series (well, it has a bit of English, and those dialogues sound kind of ridiculous, sorry…)

Anyway, it has had a lot of success, and I got curious to know why.

Drugs… again?

As a Portuguese person, I must say that drugs and trafficking were commonplace in Portuguese movies not that long ago. That made me suspicious - more of the same.

Yet, a close friend advocated in their favor, and I was not disappointed. 

Good cast, good pace

I liked the show very much, and I feel that it is more about poverty than drugs.

The actors are terrific, and the story is engaging. I wouldn’t say I liked the end, but at least we’ll have a second season. Let’s see what they do with it…

The whole atmosphere was well-built. It has the right amount of suspense. You constantly find out something new, some detail that makes you want to know even more.

I felt that the language was a bit too much, though. Yes, we curse, but it seems like the characters couldn’t say a sentence without doing it. It is a bit exaggerated, even for a bunch of kids from Rabo de Peixe. 

Cliche?

Some critics I read accuse Turn of the Tide of being too much of a cliche. Well, the topic isn’t exactly new… but I think the show was very well done, and you almost forget about that part.

It is a good piece of entertainment, and I’m looking for the second season. 


Comments

Popular posts from this blog

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...