Skip to main content

Review - Turn of the Tide (Original Title: Rabo de Peixe)

 


Turn of the Tide is the new Netflix Portuguese show, and people seem to like it. It is in the global top 10 non-English speaking series (well, it has a bit of English, and those dialogues sound kind of ridiculous, sorry…)

Anyway, it has had a lot of success, and I got curious to know why.

Drugs… again?

As a Portuguese person, I must say that drugs and trafficking were commonplace in Portuguese movies not that long ago. That made me suspicious - more of the same.

Yet, a close friend advocated in their favor, and I was not disappointed. 

Good cast, good pace

I liked the show very much, and I feel that it is more about poverty than drugs.

The actors are terrific, and the story is engaging. I wouldn’t say I liked the end, but at least we’ll have a second season. Let’s see what they do with it…

The whole atmosphere was well-built. It has the right amount of suspense. You constantly find out something new, some detail that makes you want to know even more.

I felt that the language was a bit too much, though. Yes, we curse, but it seems like the characters couldn’t say a sentence without doing it. It is a bit exaggerated, even for a bunch of kids from Rabo de Peixe. 

Cliche?

Some critics I read accuse Turn of the Tide of being too much of a cliche. Well, the topic isn’t exactly new… but I think the show was very well done, and you almost forget about that part.

It is a good piece of entertainment, and I’m looking for the second season. 


Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...