Review - Turn of the Tide (Original Title: Rabo de Peixe)

Turn of the Tide is the new Netflix Portuguese show, and people seem to like it. It is in the global top 10 non-English speaking series (well, it has a bit of English, and those dialogues sound kind of ridiculous, sorry…)

Anyway, it has had a lot of success, and I got curious to know why.

Drugs… again?

As a Portuguese person, I must say that drugs and trafficking were commonplace in Portuguese movies not that long ago. That made me suspicious - more of the same.

Yet, a close friend advocated in their favor, and I was not disappointed.

Good cast, good pace

I liked the show very much, and I feel that it is more about poverty than drugs.

The actors are terrific, and the story is engaging. I wouldn’t say I liked the end, but at least we’ll have a second season. Let’s see what they do with it…

The whole atmosphere was well-built. It has the right amount of suspense. You constantly find out something new, some detail that makes you want to know even more.

I felt that the language was a bit too much, though. Yes, we curse, but it seems like the characters couldn’t say a sentence without doing it. It is a bit exaggerated, even for a bunch of kids from Rabo de Peixe.

Cliche?

Some critics I read accuse Turn of the Tide of being too much of a cliche. Well, the topic isn’t exactly new… but I think the show was very well done, and you almost forget about that part.

It is a good piece of entertainment, and I’m looking for the second season.

Comments

Can Monsters Love?Fred and Rose West: A British Horror Story

Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history . While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty. The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama. From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing? The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...

All Forms of Art

Search This Blog