Skip to main content

Why was the season finale of The Crown a good ending?

 


The Crown, the Netflix show about the British royal family, ended, and the audience was slightly disappointed. I understand, but, for me, it was a good end.

The writers had already said they wouldn't go much further. They wouldn't feel comfortable writing about the present. Obviously, we wanted more and to see some of the things that happened in the last few years, but it was understandable.

They give us tips on what could happen, like the beginning of the Princes William and Harry falling down.

Once you accept that they wouldn't write anything too close to the present, you can see that the end wasn't bad because it was a kind of happy ending. The show ended at a time when everything seemed to be going in the right direction. 

This last season was a bit less focused on the Queen; it was about Diana's death, her children's grief, and a lot focused on Prince William. I'd like to have more of Prince Harry's screen time.

However, while smaller, the focus on Queen Elizabeth was really important and a sweet goodbye in its own way. She is shown as an aging, changing woman with so many existential questions and doubts. Don't we all?

She starts questioning her past actions and her ability to keep going in this world that changed so much since she became Queen. I think it was a very thoughtful and sweet approach.

The end was a beautiful shot with good taste. The audience generally doesn't like endings; there will always be more to tell, and it is difficult to make everybody happy.

The Crown wasn't a show for everyone; it lacks a bit of action and touches the boringness sometimes, but it has quality. It tells a good story, and it has a great cast. It was not an easy task for writers and actors, but they did well.

Comments

Popular posts from this blog

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

Wednesday 2 (Part 1) – A Gorgeously Dark Return to Nevermore

Wednesday Season 2 lands with all the gothic flair that made the original binge-worthy —this time spotlighting even richer family dynamics and chilling new mysteries at Nevermore Academy. The first four episodes dropped on Netflix August 6, 2025 , with fans grudgingly waiting until September 3 for Part 2 . Why It’s Still a Blast Jenna Ortega continues to shine as a morose sleuth grappling with her supernatural talents and unwanted hero status. Her sharp delivery and deadpan wit are as compelling as ever. Family ties get deeper attention —Pugsley’s arrival at school, Morticia’s campus involvement (with Catherine Zeta-Jones in flamboyant form), and intriguing new faces like Steve Buscemi as the oddball new principal elevate the ensemble. Atmosphere and aesthetic remain rich and inventive. Tim Burton’s return as director (including a delightfully eerie animated sequence) and the inclusion of ominous crows and haunting visuals continue to delight. Mystery hooks abound...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...