Skip to main content

Why was the season finale of The Crown a good ending?

 


The Crown, the Netflix show about the British royal family, ended, and the audience was slightly disappointed. I understand, but, for me, it was a good end.

The writers had already said they wouldn't go much further. They wouldn't feel comfortable writing about the present. Obviously, we wanted more and to see some of the things that happened in the last few years, but it was understandable.

They give us tips on what could happen, like the beginning of the Princes William and Harry falling down.

Once you accept that they wouldn't write anything too close to the present, you can see that the end wasn't bad because it was a kind of happy ending. The show ended at a time when everything seemed to be going in the right direction. 

This last season was a bit less focused on the Queen; it was about Diana's death, her children's grief, and a lot focused on Prince William. I'd like to have more of Prince Harry's screen time.

However, while smaller, the focus on Queen Elizabeth was really important and a sweet goodbye in its own way. She is shown as an aging, changing woman with so many existential questions and doubts. Don't we all?

She starts questioning her past actions and her ability to keep going in this world that changed so much since she became Queen. I think it was a very thoughtful and sweet approach.

The end was a beautiful shot with good taste. The audience generally doesn't like endings; there will always be more to tell, and it is difficult to make everybody happy.

The Crown wasn't a show for everyone; it lacks a bit of action and touches the boringness sometimes, but it has quality. It tells a good story, and it has a great cast. It was not an easy task for writers and actors, but they did well.

Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Monsters: The Lyle and Erik Menendez Story - review

  While I found the pacing of Monsters: The Lyle and Erik Menendez Story slow and, at times, even boring, the show shines in one particular area: its psychological depth.  What kept me engaged wasn’t the storytelling rhythm, but the way it explored two very distinct and haunting personalities under the same roof. Two Sides of the Same Violence The series captures the sharp contrast between Lyle and Erik brilliantly. On one side, we see the volatile, angry, and violent brother—unpredictable but outwardly dominant, always ready to explode. On the other side, there is the insecure, fragile “mouse” of the family—timid, hesitant, almost paralyzed by fear.  Yet, what makes Erik compelling is that under the right conditions, even he can lash out violently, especially when pulled into the orbit of his more aggressive brother. The dynamic between them feels like a nightmare recipe: one commanding, the other submissive, but both carrying destructive potential. The Many Shape...