Skip to main content

Turn of the Tide-Season 2: Darker... But Annoying Characters

 

Turn of the Tide


Netflix’s Turn of the Tide is back for a second season, and honestly — I liked it. 

It’s definitely darker and more serious than the first one, and that works. The stakes feel higher, the world more dangerous, and the visuals — especially those Azorean backdrops — are stunning. It’s still worth watching.

When Characters Start to Annoy

That said, some of the characters are downright annoying this time around. 

Take Joe — I love him, I really do — but the constant code-switching between Portuguese and English feels forced. It’s such a cliché at this point, especially with former emigrants trying to sound cool by mixing languages. It no longer adds realism; it just feels like a stylistic tic.

Inspector Frias… Enough Already

Then there’s Inspector Frias (Maria João Bastos). She’s supposed to bring tension and discipline to the chaos, but instead she often comes off as grating and one-dimensional. 

Every scene with her feels like an interrogation we’ve already endured. And her relationship with her daughter... let's just avoid that topic.

The Brazilians: A Strong Addition

On the bright side, the Brazilian characters are a great addition. 

They give the season a new layer — showing how complex and interconnected the drug trade really is.

 It’s not just about small-town rebels anymore; it’s about power, networks, and the price of ambition.

Please, Don’t Stretch It Further

Still, as much as I enjoyed this season, I hope it ends now. Despite some cliffhangers, the story feels complete. You don't need more of it.

If there’s a third season, it risks dragging things out just to squeeze a bit more out of a fish that’s already cooked.


Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...