When I started watching Moonhaven, I didn’t know it had already been cancelled. Netflix presents it as something recent, almost like news, so I assumed I was beginning a story that would continue. Getting invested only to realize there would be no conclusion felt frustrating. Still, setting that aside, let’s focus on the show itself.
A Sci-Fi Story Full of Secrets and Unused Potential
The story is built around mysteries, secrets, and unanswered questions, and it could have developed brilliantly. The world of Moonhaven has depth, and the ideas behind it are strong, even if the execution never fully delivers.
The Lunar Society and the Controversial Child-Raising System
One of the most interesting concepts is the idea of family: raising other people’s children instead of your own to avoid clans, tribes, and inherited power. This radical social experiment is fascinating but barely explored.
On Earth, we see protesters holding signs saying that Lunars will not take their children. This is core information and should have been central to the story. It represents the kind of societal change humanity would never easily accept.
Ironically, Earth is the side asking for help, while the Lunars seem stable and functional. If Lunar society collapsed or rejected its mission, they could destroy everything meant to save Earth—and then everyone would lose. That tension deserved much deeper exploration.
A Miscast Main Character Hurts the Show
For me, the biggest flaw in Moonhaven is the casting of the main character. Emma McDonald’s performance feels overly intense and unnatural. Bella is the emotional center of the story, and this role needed authenticity. I never believed she was a real person in this world.
Emma McDonald (The Serpent Queen) may be a good actress, but she was miscast here, and that seriously damages the show’s credibility.
The Best Characters: Paul and Arlo
Paul (Dominic Managhan, from Lost) and Arlo (Kadeem Hardison), the Lunar police officers, are easily the best part of the series. They’re sweet, funny, and genuinely believable.
Their faith in the Lunar project feels real, and their chemistry brings warmth to the show. For me, they carry at least 50% of Moonhaven.
Political Intrigue and Unanswered Questions
The political side of the story is interesting, but there are too many unanswered questions to properly judge it.
Indira (Amara Karan) is a particularly compelling character who clearly had room to grow. She feels like someone who was meant to become more central in a second season—but that season never came.
A Wasted Opportunity
Overall, Moonhaven is not a good show. However, it is a brave attempt. It tries to offer something new and different from most sci-fi series, and that effort deserves recognition. Unfortunately, the execution falls short.
Despite its flaws, the show kept me watching, which says something. A second season could have completely changed the perception of Moonhaven. Since there is no continuation, what remains is a show full of ideas that never get the chance to matter—making it, in the end, a wasted opportunity and a waste of time.
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