Skip to main content

The Great Flood (2025)—Ambitious but Divisive Sci-Fi Disaster

 

the great flood 2025


The Great Flood is the latest Korean sci-fi/apocalypse movie streaming on Netflix, directed and co-written by Kim Byung-woo (The Terror Live, Take Point, Omniscient Reader). 

What the Movie Is About

On the surface, The Great Flood begins like a classic disaster movie: a catastrophic flood engulfs Seoul after an asteroid impact, leaving people in a sinking apartment building struggling to survive. 

An-na (Kim Da-mi), an artificial intelligence researcher, and her young son Ja-in (Kwon Eun-seong) cling to hope as the waters rise. They’re separated, reunited, and forced upward through the building, encountering panic, loss, and danger along the way. 

Hee-jo (Park-Hae-soo, Squid Game), a security operative sent to rescue them, adds another layer of urgency and mystery to their journey. 

But halfway through the film, the narrative dramatically shifts into high-concept science fiction: what you thought was literal reality turns out to be part of a simulation loop — a training system for AI designed to model human emotions and resilience. 

Acting and Characters

  • Kim Da-mi (Gu An-na) delivers a strong, emotionally grounded performance — believable as both a desperate mother and a brilliant scientist. Her ability to convey determination, heartbreak, and existential fatigue anchors much of the film’s emotional weight. 

  • Park Hae-soo (Son Hee-jo) brings intensity and nuance to his role. He plays Hee-jo with a mix of calm professionalism and underlying urgency that keeps viewers guessing about his true motives. 

  • Kwon Eun-seong (Shin Ja-in) as the son is pivotal — his vulnerability is the emotional center of the flood sequence, but some viewers find his characterization frustrating or underdeveloped, likely because the film uses him more as a symbol of emotional stakes than as a fully drawn character. 

What Works

There’s a lot to admire in The Great Flood:

  • Visceral Disaster Sequences: The early part of the movie — the rising waters, the claustrophobic ascent through the building, and the palpable sense of danger — works very effectively as a survival thriller. 

  • Ambitious Themes: The shift from physical survival to simulated existential crisis gives the film a philosophical edge rare in typical disaster fare. It asks big questions about memory, emotion, artificial intelligence, and what makes us human.

  • Visual and Technical Craftsmanship: The flood visuals and underwater sequences are often striking and immersive — clearly the result of detailed planning and intense preparation by the cast and crew.

What Doesn’t Work

The transition from a disaster-survival story to sci-fi AI simulation is abrupt and can feel confusing or poorly explained. You can feel that it is difficult to follow, and the logic behind the AI project isn’t fully justified in clear terms. 

Th eplot is full of ambiguity and many things are left for interpretation. That’s great for discussion, but frustrating if you prefer solid answers.

Final Take

The Great Flood is an ambitious, visually compelling film that might frustrate some viewers while deeply rewarding others. 

It’s a movie that requires active thinking, interpretation, and maybe even a second viewing. If you go in expecting a straightforward disaster story, the sci-fi pivot might unsettle you — but if you enjoy films that play with structure and meaning, there’s a lot here to unpack. It’s messy, sometimes unclear, but impressive in its scope.


Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...