Skip to main content

Outlander - disturbingly addictive





Disturbingly addictive is, without a doubt, the most effective way of describing this show and the effect it can have on you. Nominated for many a prize, Outlander actually won the “Most Bingeworthy Show” prize at the Critics’ Choice TV Awards, and, let’s face it, it totally deserved it.

The First Impact


I started watching the first season by chance. I was scrolling down Netflix, looking for something to watch. I wasn’t sure what I was really looking for, and this series stood out to me. I didn’t even read the synopsis, just liked the image and opened it. 

The first scenes weren’t that catching, and I gave up in a few minutes. A few days later, I gave it a second try and forced myself to watch the first episode. Well, in the middle of it, I was already hooked.

A Love Bigger Than Time

Not being a massive fan of science fiction, time traveling was never on my list of favorite plots, but Outlander is more than culturally chock-full. It is about love. (If you like a good love story, consider taking a look at Bridgerton.)

It is romantic, but raw. It makes you dream, but reality often slaps you in the face during each episode. It's a bumpy ride into an era, and a beautiful love story. 

Besides, Sam Heughan and Caitriona Balfe are absolutely perfect in their roles - nice timing, nice chemistry, you truly believe they're in love. 

You Can't Go Back


When the second season was released, I became pretty excited. I wanted to see what would happen next, but the first episode was a letdown. 

It wasn’t bad, per se, but I felt like it was lacking something. However, it still got better, once more, and now here I am, anxiously awaiting their third season to hit my Netflix feed. ;)


If you enjoy the historical accuracy and grandeur in Outlander, you might also love The Crown, another beautifully crafted period drama, which also stars the actor Tobias Menzies.

Comments

Popular posts from this blog

Can Monsters Love?Fred and Rose West: A British Horror Story

  Netflix's Fred and Rose West: A British Horror Story is not just a true crime documentary — it’s a psychological deep dive into one of the most disturbing couples in British criminal history .  While the crimes are shocking, the nature of Fred and Rose’s relationship truly unsettles. Were they in love? Or was their bond something far darker? A Match Made in Hell From the moment Fred and Rose met, something clicked. But it wasn’t a love story — it was a dangerous connection built on control, abuse, and mutual cruelty.  The documentary shows us how they fed off each other’s darkest urges. It wasn’t about love in the traditional sense. It was about power, domination, and shared depravity. Can Psychopaths Feel Love? This is the big question. Can two people with such extreme psychological disorders really feel love? Some experts believe psychopaths can feel attachment, but not empathy — they might need someone, but not care for them in the way most of us understand....

Raising Voices - Why Alma's Mom Had the Right Reaction

  In Netflix’s Raising Voices , there's a raw, emotionally charged moment when Alma confesses to her mom that something happened the night she disappeared — she was drunk, she had sex, and something didn’t feel right. It’s the kind of moment that many parents dread. But Alma’s mom handled it in a way that deserves attention. She didn’t panic. She didn’t judge. She didn’t lose control. Instead, she met her daughter halfway, which made all the difference. What Happened in the Scene? When Alma opened up to her mom, she wasn’t just confessing — she was testing the waters for safety. Could she trust her mom with the truth? Would she still be loved after saying something shameful, scary, or confusing? Her mom’s response wasn’t perfect — but it was real. She was concerned, but didn’t explode. She asked questions. She listened. She let the moment breathe. Why That Reaction Matters Technically, what Alma described can be considered sexual assault , given her level of intoxication. Bu...

Adolescence: A Mirror We Can’t Look Away From

  How Can a 13-Year-Old Commit Murder? What was once an absurd, unthinkable question is the central premise of Adolescence , Netflix ’s latest British drama.  From the first episode, the show grips you with its raw portrayal of youth violence. It pushes us to confront an unsettling reality—children, barely teenagers, are capable of unimaginable acts. But Adolescence does not sensationalize crime; rather, it dissects it , laying bare the complex web of factors that lead to such a moment. It’s Not About the Victim Unlike many crime dramas, Adolescence does not dwell on the victim. Instead, it forces us to ask: Who is the perpetrator? Who is his family? Who are his friends? What kind of environment produces a child capable of killing?  The show wrestles with these haunting questions, exposing the uncomfortable truth that the killer does not come from an easily identifiable “dangerous” background. His family is normal—too normal. This leads us to the most disturbing though...