Skip to main content

Outlander - disturbingly addictive





Disturbingly addictive is, without a doubt, the most effective way of describing this show and the effect it can have on you. Nominated for many a prize, Outlander actually won the “Most Bingeworthy Show” prize at the Critics’ Choice TV Awards, and, let’s face it, it totally deserved it.

The First Impact


I started watching the first season by chance. I was scrolling down Netflix, looking for something to watch. I wasn’t sure what I was really looking for, and this series stood out to me. I didn’t even read the synopsis, just liked the image and opened it. 

The first scenes weren’t that catching, and I gave up in a few minutes. A few days later, I gave it a second try and forced myself to watch the first episode. Well, in the middle of it, I was already hooked.

A Love Bigger Than Time

Not being a massive fan of science fiction, time traveling was never on my list of favorite plots, but Outlander is more than culturally chock-full. It is about love. (If you like a good love story, consider taking a look at Bridgerton.)

It is romantic, but raw. It makes you dream, but reality often slaps you in the face during each episode. It's a bumpy ride into an era, and a beautiful love story. 

Besides, Sam Heughan and Caitriona Balfe are absolutely perfect in their roles - nice timing, nice chemistry, you truly believe they're in love. 

You Can't Go Back


When the second season was released, I became pretty excited. I wanted to see what would happen next, but the first episode was a letdown. 

It wasn’t bad, per se, but I felt like it was lacking something. However, it still got better, once more, and now here I am, anxiously awaiting their third season to hit my Netflix feed. ;)


If you enjoy the historical accuracy and grandeur in Outlander, you might also love The Crown, another beautifully crafted period drama, which also stars the actor Tobias Menzies.

Comments

Popular posts from this blog

Gen V Season 2: From Cameos to Confidence

I wasn’t a huge fan of Gen V ’s first season . For me, it lived more on cameos and ties to The Boys than on its own merits. It often felt like an extended piece of world-building rather than a show that could stand on its own. Season 2, though, feels different. For the first time, Gen V is carving out its own identity. The storylines are more engaging, the stakes feel higher, and it’s not just hanging on the shadow of Homelander or Vought headlines.  The Highs and Lows of Performance That said, not everything works. The acting is uneven—some scenes land with the intended emotional weight, but others feel awkward enough that I wondered how they made it past editing.  On top of that, the show piles on so much interpersonal drama and mystery that it occasionally slips into Scooby-Doo territory: a gang of young heroes pulling at conspiratorial threads, but without enough grounding to keep every subplot compelling. A Thoughtful Tribute One aspect the show handles beautifull...

Zero Day (Netflix): When Power, Fear, and Truth Collide

  What happens when society’s most terrifying vulnerability—our digital infrastructure—suddenly collapses?  Netflix ’s political thriller Zero Day dares to explore exactly that. Starring Robert De Niro as former U.S. President George Mullen, alongside Angela Bassett , Lizzy Caplan , Jesse Plemons , and Dan Stevens , this six-part miniseries blends conspiracy, paranoia, and deeply human drama into a story that feels both timely and unsettling. A Premise That Feels Too Possible The series kicks off with a catastrophic cyberattack that leaves the nation in chaos. It’s not just thrilling entertainment—it’s frighteningly plausible. Watching events spiral out of control, you can’t help but ask yourself: could this actually happen? Twists That Keep You Guessing From backroom deals to sudden betrayals, Zero Day is packed with sharp turns. You might think you know where it’s going, but the finale delivers a conclusion that’s both surprising and thought-provoking. Jesse Plemo...

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...