I’ve only watched the first season of The Man in the High Castle, so this review is limited to that initial chapter of the story—but even so, it’s clear that this is a show with ambition, quality, and a strong identity.
The premise is one of its greatest strengths. By imagining an alternative universe in which the Axis powers won World War II, the series creates a chilling “what if” scenario that feels surprisingly coherent. The world-building is careful and detailed, and nothing feels random or lazy. The social rules, political tensions, and everyday fear of living under totalitarian regimes are thoughtfully constructed, which makes the setting believable—and unsettling.
A Slow Burn That Demands Patience
The pace of the show is undeniably slow. Personally, this didn’t bother me much, but I can easily see how it might frustrate some viewers.
We’re used to faster developments and constant twists, especially in modern television. The Man in the High Castle takes its time instead, allowing the atmosphere and characters to breathe. Despite the slow burn, it remains engaging, steadily pulling you deeper into its world. It reminds me of Outlander in that way; it starts slowly, but you can't stop watching.
Joe Blake: A Story Far From Over
Joe Blake (Luke Kleintank) is one of the more intriguing characters. There’s something deliberately opaque about him, and I strongly suspect his development will be full of surprises.
His journey ending on a ship to Mexico certainly doesn’t feel like a conclusion—if anything, it feels like the beginning of something much larger.
Juliana Crain: A Flawed Heroine for Uncomfortable Times
Juliana (Alexa Davalos) is a more complicated case. She’s often irritating, not because she lacks courage, but because of her recklessness.
Years ago, I might have seen her as a straightforward hero; now she comes across as irresponsible and inconsequential, regardless of who gets caught in the crossfire. And yet, we still root for her. She tries. She cares. She’s just not very good at navigating the consequences of her actions, which makes her flawed in a very human way.
Friendship as Resistance: Frank and Ed
Frank (Rupert Evans) and Ed (DJ Qualls, Supernatural and Guillermo del Toro's Cabinet of Curiosities) bring a softer note to the story.
Their friendship is genuinely sweet and grounding amid the surrounding brutality. Ed’s willingness to help, despite the risks, is admirable—and worrying. I can’t help but fear that kindness will come at a heavy price.
The Nazi Side: John Smith’s Moral Crossroads
On the Nazi side, John Smith (Rufus Sewell) is naturally the most compelling character. He’s intelligent, disciplined, and terrifyingly efficient.
Yet when the system's cruelty begins to affect his own family, questions arise. Will he continue to serve without doubt, or will something shift? He feels like a character who could surprise us.
The Japanese Empire: Ruthless, Complex, and Human
The Japanese-controlled Pacific States are equally fascinating. Characters like the Minister of Trade and Inspector Kido initially appear ruthless and terrifying, but they’re more complex than they seem.
Kido (Joel de la Fuente), in particular, is driven by a fierce desire to avoid war—so much so that he would rather die than let it happen. That depth adds moral tension rather than simple villainy.
Final Thoughts
Overall, The Man in the High Castle is a powerful show. It’s unsettling, thought-provoking, and uncomfortably relevant. It asks difficult questions about power, complicity, and resistance—and it doesn’t offer easy answers.
Despite its slow pace and imperfect characters, it left a strong impression on me, and I’ll definitely be watching the next season.
Comments
Post a Comment