Few TV endings were ever going to satisfy everyone the way fans wanted The Boys to. After years of chaos, violence, trauma, and moral collapse, expectations for the final episode were impossibly high. And judging by the reaction online, many viewers walked away disappointed.
Honestly? I understand why.
This finale was never going to feel “finished” in the traditional sense. There were still countless possibilities, unresolved ideas, and directions the story could have explored. Some characters deserved more time, some endings raise new questions, and a few creative choices definitely won’t work for everyone.
But despite all of that, I think the ending worked.
Not because it was perfect — it absolutely wasn’t — but because it understood what kind of story The Boys has always been. At its core, this was never a superhero story about victory. It was about damage, consequences, power, and survival. And in the end, the finale chose closure over spectacle.
The Finale Was About Closure More Than Shock
What surprised me most was how much of the episode focused on giving every major character a true ending. Instead of endlessly escalating the action, the show slowed down and allowed each arc to land emotionally.
That decision is probably why some fans disliked it.
People expected something bigger, crazier, bloodier. Instead, half the episode felt like a farewell tour — one final moment for every character to face who they had become.
I appreciated that.
Not every ending tied everything neatly together, but most characters reached a place that felt emotionally earned.
Homelander’s Final Speech Proves Why Antony Starr Carried the Show
Before even talking about Homelander’s death, we need to talk about that speech.
Antony Starr (Banshee) delivered a great performance during that scene. In a matter of minutes, he went from terrifying to pathetic, from monstrous to deeply broken. One second, he gives you chills; the next, you almost pity him.
That balance is what made Homelander such an unforgettable villain.
He was never just evil. He was emotionally destroyed, created by a system that treated him like a product instead of a human being. Which is why, in many ways, the finale quietly reminds us that the true villain of The Boys was always Vought International.
Homelander was their creation.
And by the end, there was no redemption left for him.
Homelander’s Death Was Inevitable — Even If It Felt Bittersweet
There was never another possible outcome for Homelander (Antony Starr). He had to die.
The character was too damaged, too dangerous, and too far gone for redemption to make sense. The finale understood that.
The actual fight scene wasn’t flawless. The choreography could have been stronger, and visually, it wasn’t the most impressive battle the show has done. But honestly, that didn’t matter much.
We weren’t expecting an elegant superhero fight. We wanted something ugly, violent, and emotional.
And that’s exactly what we got.
The smartest choice was limiting the room to Butcher, Ryan (Cameron Crovetti), and Kimiko. Once Homelander lost his powers, the illusion disappeared completely. He had spent his entire life relying on overwhelming strength, never bothering to truly learn how to fight because he never needed to.
Meanwhile, Butcher had lived through violence his entire life.
Without powers, Homelander never had a chance.
Still, I can’t deny feeling slightly robbed by the ending. Part of me kept thinking: this could have happened in Season 3. So many people suffered because he survived as long as he did.
But even with that frustration, the scene itself worked emotionally.
Ryan Finally Became His Own Person
Ryan had a strong emotional arc in the finale.
The conversation he has with Butcher (Karl Urban) later in the episode shows just how much he has matured. For the first time, Ryan truly felt like someone capable of choosing his own future instead of being shaped by Homelander or Butcher.
His association with Mother's Milk surprised me, though.
I’m not sure the show fully developed that relationship enough beforehand for it to feel completely natural. They were never especially close. Still, emotionally, it makes sense. MM is probably the most genuinely good person in the entire series.
If Ryan ends up with anyone, he’s the safest choice possible.
And after everything Ryan experienced, seeing him finally have a chance at a stable life mattered.
Kimiko’s Ending Was Quiet but Powerful
Kimiko (Karen Fukuhara) had one of the quieter endings, but it worked beautifully.
After Frenchie’s (Tomer Capone) death and everything she endured throughout the series, her conclusion wasn’t about revenge or violence anymore. It was about surviving grief and finding a way forward.
That felt fitting for her character.
MM, Hughie, and Starlight Finally Found Peace
The finale gives Mother's Milk (Laz Alonso) something he deserved for a long time: peace.
Seeing him finally happy with his wife felt earned after seasons of sacrifice and stress.
Meanwhile, Hughie Campbell and Starlight (Erin Moriarty) received the most traditional ending in the series — a genuine happily-ever-after.
A baby on the way, helping people, rebuilding a life together.
In a show as cynical as The Boys, that kind of hopeful ending actually stood out. It felt less like fantasy and more like recovery. Life continues after trauma.
Ashley and Sage Deserved More Time
Ashley Barrett (Colby Minifie) finally making the right choice was satisfying, but I still wanted more details about what happened to her afterward.
Her arc has always been fascinating because she survived inside Vought by constantly compromising herself. Watching her finally step away from that deserved a little more attention.
The same goes for Sister Sage (Susan Heyward).
Her ending works conceptually, but the show leaves so much unsaid that it almost feels incomplete.
The Deep’s Fate Was Perfect Karma
And then there’s The Deep (Chace Crawford).
Honestly? Perfect.
Watching him finally get what he deserved was one of the most satisfying moments in the episode. Starlight getting a bit of revenge felt earned after everything he put her through.
Even better was Homelander openly showing how much he despised him. Despite all of Deep’s loyalty, Homelander never truly respected him.
And somehow, Kevin still never learns.
The only thing that confused me was the fish calling it “justice for Ambrosius.” Considering the horrifying number of sea creatures killed earlier in the season, you’d think that would be the bigger issue.
Still, the moment worked brilliantly as a dark comedy, with karma finally colliding.
Butcher’s Death Was Logical — But Hughie Killing Him Hurt
Billy Butcher's death was inevitable.
After everything — the Compound V, the violence, Becca, Ryan, Terror — there was no realistic future left for him. He was exhausted physically and emotionally. The pain had finally caught up with him.
From a storytelling perspective, his death absolutely makes sense.
What I struggled with was Hughie (Jack Quaid) being the one to do it.
I understand the symbolism. Hughie learned from Butcher that sometimes doing the necessary thing means hurting the people you love. It completes Hughie’s evolution from innocent outsider to someone capable of making impossible decisions.
Poetically, it works.
Emotionally, I hated it.
And maybe that’s exactly why the scene succeeds.
The farewell afterward was genuinely strong and gave the moment the emotional weight it needed.
An Imperfect Ending That Still Felt Right
The finale of The Boys was messy, emotional, frustrating, and surprisingly heartfelt.
It leaves unanswered questions. Some arcs deserved more depth. Certain relationships could have been developed better. And not every payoff lands perfectly.
But the episode understood something important: endings are rarely satisfying because they close every door. They work when they allow characters to finally stop running.
That’s what this finale did.
It gave these broken people closure.
Not perfection. Not happiness for everyone. Just closure.
And for a show like The Boys, that honestly feels like the most honest ending possible.
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