Skip to main content

Fabien Frankel: The Rising Star Behind Ser Criston Cole

 

Fabien Frankel

Thanks to his portrayal of Ser Criston Cole in House of the Dragon, Fabien Frankel has quickly become one of the most recognizable rising actors of his generation. Although relatively new to the screen, his performances have already demonstrated a remarkable ability to bring emotional complexity to morally conflicted characters.

Early Life and Career

Fabien Frankel was born on April 6, 1994, in London, England. Coming from a family with artistic roots—his father was actor Mark Frankel—he developed an interest in acting from an early age. After studying at the prestigious Royal Academy of Dramatic Art (RADA), he began building his career through theatre before transitioning to television and film.

Like many British actors, Frankel's classical training gave him a strong foundation, allowing him to portray characters with subtlety and emotional depth rather than relying on spectacle alone.

Main Works

House of the Dragon (2022–Present)

Ser Criston Cole


Fabien Frankel's breakout role came as Ser Criston Cole in HBO's House of the Dragon. Initially introduced as an honorable knight, Criston gradually evolves into one of the series' most controversial and tragic figures. Frankel's nuanced performance has helped transform a character who could have been a simple antagonist into someone driven by guilt, pride and impossible choices.

Last Christmas (2019)

Last Christmas


Frankel made his film debut in the romantic comedy Last Christmas, directed by Paul Feig. While his role was relatively small, the film marked his first appearance in a major international production and introduced him to a wider audience.

The Serpent (2021)

The Serpent


In the acclaimed BBC crime drama The Serpent, Frankel appeared in a supporting role alongside Tahar Rahim and Jenna Coleman. The series, based on true events, further showcased his ability to adapt to darker, character-driven stories.

Impact, Legacy and Evolution

Fabien Frankel represents a new generation of actors whose performances rely on restraint rather than exaggeration. Instead of portraying heroes or villains in simple terms, he excels at revealing the internal conflicts that shape his characters.

His work as Ser Criston Cole is perhaps the clearest example. Throughout the series, Frankel portrays a man whose ideals slowly crumble under the weight of resentment, loyalty, and regret. Even when Criston makes questionable decisions, the performance invites viewers to understand the emotions driving them rather than simply condemning him.

That emotional ambiguity has become one of Frankel's greatest strengths as an actor.

Although his filmography is still relatively short, Fabien Frankel has already made a lasting impression through thoughtful, emotionally layered performances. House of the Dragon introduced him to a global audience, but it is his ability to humanize flawed characters that suggests his best work is still ahead of him.

Comments

Popular posts from this blog

The Handmaid’s Tale – From Brilliant to Frustrating

  When The Handmaid’s Tale first aired, it felt sharp, terrifying, and painfully necessary. I wrote about the first season as a dark and brilliant adaptation, one that used restraint, symbolism, and dread to tell its story. Now that I've finished the third season, my opinion has shifted — not wholly, but noticeably. The show is still good . Sometimes very good. But it also became frustrating, uneven, and less powerful than it could have been. June Osborne: From Survivor to Exhaustion Let’s talk about June (Elisabeth Moss, Mad Men ). I understand the idea behind her arc. She was meant to evolve — to become more confident, more assertive, more dangerous. A woman shaped by trauma who stops surviving and starts fighting back. On paper, it makes sense. On screen, however, it often doesn’t work. June becomes reckless to the point of irresponsibility. She repeatedly puts others in danger without seeming to fully care about who might be caught in the crossfire. Her actions feel impuls...

Gangsta Granny – Hilarious and Surprisingly Moving

  I have a ten-year-old daughter, and one thing we like to do is read the same books so we can talk about them afterward. Gangsta Granny was a birthday gift for her, and she read it so quickly that it immediately made me curious. When a child finishes a book that fast, you know something is working. When I finally read it myself, I was pleasantly surprised — and completely charmed. A Story That Is Funny and Moving At first glance, Gangsta Granny is a crazy, over-the-top, and very funny story. David Walliams clearly knows how to make children laugh, using absurd situations, exaggerated characters, and a fast-moving plot that keeps young readers hooked. But beneath the humour, the book is also sweet, touching, and emotionally rich. What starts as a wild adventure slowly reveals a story about family, loneliness, empathy, and learning to truly see the people around us. This balance reminded me of Roald Dahl’s books , where outrageous humour and emotional depth coexist effortles...

Grief in the Shadows: Why 'The Silencing' Stands Out

  A moody thriller about grief, violence, and how far we go for the ones we love. Nikolaj Coster-Waldau ( Game of Thrones ) is Rayburn Swanson , a former hunter who now lives in isolation, running a wildlife sanctuary named after his missing daughter. Years after she vanished, Rayburn is just barely functioning—haunted, grieving, and clinging to the hope that she might still return. When a murdered girl turns up in the woods with eerie similarities to his daughter's disappearance, the local sheriff, Alice Gustafson ( Annabelle Wallis ), launches an investigation. Rayburn, meanwhile, accidentally crosses paths with a mysterious masked figure hunting a girl on his land. This encounter pulls him into the heart of the case in ways he never expected. The investigation twists, misleads, and slowly unravels, building toward a reveal that isn’t obvious—and intentionally so. Nothing is as straightforward as it seems. Themes of Grief and Family What makes The Silencing compelling is...